Travis Rice “The Fourth Phase” Trailer

Supposed to be 100 in Portland this week, good time for a snow trailer to mentally cool off. As usual with T. Rice/Red Bull flicks it’s shot on cameras that cost more than your car and have more K’s then a Donald Trump rally in northern Idaho.

Rodney Mullen “Liminal”

The video is a lot like what I’d imagine a wreck between a train carrying bags of dicks and one carrying bags of shit would be like – from it’s dizzying/constantly rotating camera, to the overdramatic editing and music – but the guy is a legend and a savant so it’s getting posted anyways.

…and sort of odd that the video debuts on Vogue’s youtube channel, no?

Line Of The Year?

Candide Thovex just upped the ante with this one.  That line would be hard enough to pull, but to pull it before transitioning back into board mode?  Mental.

Splitboard sales

Saw some deals on splitboards, splitboard bindings and the Deeluxe split focused boots at Mountain Gear today.  Just a heads up in case that Christmas money is burning a hole in your pocket.

Mt. Thielsen by Split Life Films

Somehow I missed Geoff’s midseason mini edit.  The Split Life Films crew hits Mt. Thielsen in southern OR.



A Little Stoke from Japan

Skidoos and Throwbacks and Japow oh my!

VIDEO: The Matt Cummins Documentary


P.S. RIP Tacoma Northwest Snowboards

Star Wars takes over Mammoth

Yup, The Force Awakens drops today and like the rest of the world I’m nerd hyped. Star Wars and shred? I’m OK with that. Let the wookie jib.

Timeline Films “La Liste” Trailer

Sure, it’s skiing not skiboarding, but gottdamn that climbing sequence on the opening face!  The ridge travese at 1:48 in is pretty solid too.  Also can I get a shout out to Youtube commenters?! “Fast as all hell…nice air in there too…but steep? Those lines didn’t appear to be overly steep.”  The internet:  where everyone has a 14″ cock, makes a million dollars per year and dates supermodels.


REVIEW: Peak Design CapturePOV Mount

Finally got out into the great outdoors this weekend to give the Peak Design CapturePOV Mount a shakedown, bringing it out to a ‘secret’ river somewhere near Mt. Adams to fling some feathers and down some bourbon.



When I first got the package in the mail I thought damn, this is far heftier than expected.  I guess since they launched with a Kickstarter and the product is made in China I was just expecting another round of junk kicked out by crowdfunding, but I couldn’t have been more wrong.  The CapturePOV Mount is made of aluminum and glass reinforced nylon and feels substantial and every bit as rugged as you’d hope something would that you are trusting with your $400 first world adventure recorder (it’s worth noting that their CapturePRO intended for SLRs is 100% aluminum and is likely burly enough to take down a small animal when used as a throwing device).  It was also very apparent from the get go that Peak Design has put a lot of thought into the details – from the packaging to the product everything was very well done and gave off a feel of quality.



Package contents image from the PD website



In use the Peak Design CapturePOV exceeded expectations.  After a quick looksee at the instructions (I know I know, my man card was immediately revoked) to make sure I was using everything properly the PD was on my strap and capturing footage.  Getting started is easy – you mount your camera to the provided mounting plate, click it into the clip and then secure the clip by using the thumbscrew.  To remove your camera unscrew the thumb screw and click the red button.  One thing I really liked was the included J-arm as it allows you to adjust not just where your camera is aimed vertically but also laterally – and with the screen on the GoPro Silver it took all of 2 seconds to adjust aim on the move as needed.

One of my initial concerns with the CapturePOV was that it’s heft was going to overpower my shoulder straps but it appears as if the Peak Design crew already considered that.  Inside the package is a ‘stabilizer pad’ (seen lower left in the above photo) that you use as a backing for the capturePOV and helps add structure behind the clip in the case your backpack straps are more UL daypack and less overnight/multiday.



Another thing I wondered upfront (and the personal jury is still out on) is how the angle would be capturing snowboarding as by nature the capturePOV is always going to be offset to one side (though I guess you could mount on the sternum strap….).  It could be that it captures better on your lead shoulder vs. your rear, or it could be that it doesn’t make a difference.  The below video of flyfishing gives you a feel for the angle it captures in a typical mounting location.  You can definitely tell it’s offset, but I think with the angle the GoPro provides you can offset the offset by slightly pointing your camera’s lens towards your body centerline.


The only potential issue I noted during my time using the CapturePOV was that the screws that tighten the clip to the stabilizer pad or direct to the backpack strap seemed to come loose often.  They never were loose enough to lose the clip, but I also checked every hour or so as I lost a prior POV camera on a drunken urban snow mission a few years back.  Had I not who knows.  Worth keeping an eye on if you pick one up.

Overall I’m impressed with the Peak Design CapturePOV and think it’s a worthwhile piece of kit for if you find yourself taking your GoPro or other small camera into the backcountry often.  It’s worth the price of admission alone for splitting as it removes that additional layer of straps that the GoPro chest harness adds.  When you’ve already got a beacon and a backpack wrapped around you who needs another layer (though it does bring up the issue of electronics/beacon proximity interference…hmm…).  Anyways, check ’em out!